Proserpina's Snow
"Myth neglects / the volcanic hearth of the underworld / that burnt the nerve endings of our protagonist’s feet."
The snow had melted over Proserpina’s skin, leaving her wet from a long winter of dreaming. In these dreams she cried out for Love: the deathly horse with grey eyes, peering from behind a curtain of theatrical shadows. When she came near to him, the horse kicked her in the head - hard. Maturity is the severance of the rational and the perverse, and so, Proserpina’s body was dealt with swiftly, as a problem of juvenile disobedience. Her form was divided neatly into its constituent parts, bifurcated by a hand at the neck. Everything below was transferred from the dominion of the mother onto Pluto. Through these esoteric rites he was empowered now, in the eyes of the law, to act with such force as reasonably necessary to subdue her. Nightly she was inspected, suspected of nothing. Kindly he would ask if she may take off her shoes, and so, she would bend over to unlace them. As it occurred to her during this act, she was never given any to begin with. Myth neglects the volcanic hearth of the underworld that burnt the nerve endings of our protagonist’s feet. She wandered through death’s dream kingdom naked, in adversarial contest with her flesh. Everything above is still in dispute, she thought, if everything below is settled snow, melting into thin streams of water between the thighs of Proserpina.
Samuel Massé, The Rape of Proserpina, Oil on Canvas


